
Escalation is the phenomenon of something getting more intense step by step, for example a quarrel, or, notably, military presence and nuclear armament during the Cold War. (Thanks, wiki)
Only slightly less harmful would be gear escalation, the trend amongst musicians to continually try not only to keep up with the proverbial Jones', but be able to confidently sneer in their faces "nah, nah-nah nah-nah" when you whip out your new piece of gear and toss it casually onto the stage.
In this band it's the never-ending quest to get the most technologically advanced piece of gear into the smallest, lightest form possible. This has its practical applications, however, since we fly with all of our own gear, and that's getting expensive, if you hadn't heard.
There are only a few ways to avoid escalation. One would be to take the "purist" route, which is to say "I don't believe in electronics, wireless technology, and them there 'FX' Processors; all I need is this here gee-tar (and a nice mic and PA system)". The other is the "vintage gear" approach, which is "this piece of gear is from 1973, man, I can't alter it in any way! Blasphemy!".
But RS&RB doesn't really subscribe to either route - so when one of us discovers some new thing that sounds better, weighs less, is smaller, or even just looks cooler, we get it, and for those 6 months or so before our new gear becomes obsolete, we're the envy of all the other guys. Then, 6 months later, well, you get it.
The end result is: We CAN fly with all our own gear. We DO sound pretty good in a lot of situations where me might otherwise not, and when I look down at my feet to see all those blinking lights, I smile more.
And truthfully, I don't think there are any hard feelings amongst us about who is able to have what at any given point in time. But I'm still looking for the atom bomb of gear - the thing that I buy that can never be bested, that just says "Tilby wins; this thing is as awesome as can ever be". Until then, I'm just saying all my gear is "vintage".
